AUTOMATIC ENTERTAINMENT es una productora y sello discográfico con base en Lima-Perú que tiene como objetivo ser una alternativa dentro de la escena cultural y musical, produciendo eventos, conciertos e instalaciones y editando discos de bandas y proyectos independientes tanto locales como foráneos.


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Automatic Entertainment presenta a Warren Defever (His Name Is Alive) - Julio 27 en Nébula Club.

Parte del legendario sello británico 4AD por 13 años, los sonidos etéreos y acústicos de His Name Is Alive son sólo comparables con grandes bandas de dicho sello, como Cocteau Twins, This Mortal Coil y Dead Can Dance. HNIA mezcla influencias de grupos como Jesus and Mary Chain, My Bloody Valentine, Lush, Stereolab con música folk americana y estilos experimentales. Como productor Warren Defever ha trabajado con artistas de la 4AD como LIcorice, Tarnation, Ian Masters de Pale Saints, así como con Iggy and the Stooges, Yoko Ono, Thurston Moore de Sonic Youth y más.

Discos de HNIA han sido descritos por Pitchfork como "alguien cantándote suavemente al oído”, mientras tanto David Bowie ubica el álbum del 2006 de HNIA dentro de sus 10 mejores recomendaciones de ese año.

La experiencia de un concierto de HNIA incluye canciones llenas de ruidos repentinos y una sorprendente diversidad de sonidos y texturas, tocando temas de discos de la época 4AD como “Livonia”. Las presentaciones más recientes, revelan saltos estilísticos, frenéticos y orgánicos, así como una batería de sonidos electrónicos. His Name Is Alive sigue creando un impresionante sonido en vivo lleno de vanguardia.


Junto a Resplandor www.myspace.com/resplandorperu / www.resplandor.com.pe y
Pauchi Sasaki www.pauchi.com


DUSTED (2011) One of the most confusing and unique presences in pop’s underbelly. Gentle kindness, eclipsed by a rush of blissed-out noise

XLR8R (2008) Xmmer is a rewarding trip. And I mean trip: Defever's lo-fi freak-outs mind-meld with the disc's mellower acoustic moments with stunning ease.

BOSTON PHOENIX (2008) Using a modest arts grant to hold a “peace conference” in New York City, the event’s mixture of pretense, play, and utopian hope sheds light on the wellsprings of Defever’s surprising recent music.

BRAINWASHED (2008) HNIA have proven themselves consummate at distilling the essence of intangible emotion, and creating from that essence works which both illuminate, and that are capable of deeply wounding the listener.

TINY MIX TAPES (2008) His Name Is Alive is as haunted as ever...rewards are revealed only to the patient who engage in the hypnotic exchange with the secrets invested in the static presentation.

TIME OUT NYC (2007) If he seemed like a free spirit back when... you ain’t heard nothing yet. Just try to keep up.

PITCHFORK MEDIA (2008) A gorgeous accomplishment, pulling threads of American music-- folk, blues, r&b, gospel-- together with synthesizers and obsessive attention to sound and space, and coming up with a sound that was entirely unique, remarkably natural, and thoroughly pop... we wait to see if another great one is on the way

FILTER (2007) Mysterious and idyllic, organic vocals and spellbinding instrumentation.

CMJ (2007) Something beautiful but devilish, radio pop turned upside-down and inverted with subversive, lo-fi anti-flourishes.

DAVID BOWIE (2006) An early 70s singer/songwriter vibe plus it comes on like Karen Carpenter.

PLAN B (2006) Pure tones ache like winter sunbeams - haunted, wholly out of time or context.

VICE (2006) This latest apparition of noisy folk works pretty well, but it's all over far too quickly.

LOST AT SEA (2006) Spellbinding and eclectic with the ability to be both eerie and gentle.

URB (2006) Pure pop strangeness, thankfully, getting even stranger.

GUARDIAN (2002) This could be the best late night record ever made, a timeless, soulful classic.

PITCHFORK MEDIA (2002) Last Night is at once melancholy, serene and assured.

MILK FACTORY (2002) The epic and haunting title track, possibly one of the best songs heard this year.

DUSTED MAGAZINE (2002) His Name Is Alive is one of the most remarkable creations of the pop underground...it will stand the test of time...Like great movie directors, Defever is making a legacy more than anything.

NME (2002) A silver thread out of the labyrinth.

ALTERNATIVE PRESS (2001) Some of the sexiest most varied makeout music.

BILLBOARD (2001) Someday...may very well be the years best R&B album.

MOJO (2001) Stunning intimate electronica.

NME (2001) Go. Buy. Now.

CMJ (1998) HNIA's genius is in juxtaposing pieces

NME (1998) Defever, deranged svengali, skulks behind the twin singers underpinning the lunacy around him with a stream of motown melodies.

MELODY MAKER Single of the week (1996) HNIA were post rock before they had a name for it.

SPIN (1996) HNIA, whose trademark has been mixing paradise with purgatory, have made an odd little Eden, thats both peaceful and disorienting.

CMJ (1993) Absolutely beautiful, positively stunning, most original and uncategorical...music so good, one could only stand back and let the maelstrom X X destroy you.



VANILIA (2010)

BLUE MOON (2008)

COME TO ME (2007)




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